极道鲜师

怀抱着对高中教课生活的美好憧憬，新人教师山口久美子（仲间由纪惠饰）入职创校已有30周年的白金学院高中，却被分派到令人闻风丧胆的放牛班3年D组担任导师。不服管教的问题学生们轮番给久美子下马威，企图吓跑这个毫不起眼的新老师。久美子不以为然，一心想要积极拉近与大家的关系。她从容的应对亦引起了班上核心人物泽田慎（松本润饰）的注意。原来久美子的真实身份竟是极道帮派的第四代传人！虽然实际的教学生活与自己的期望产生了偏差，每天都有意想不到的麻烦出现，深藏不露的久美子依旧选择了相信自己的学生们，并努力将他们领向正途，达成全体顺利毕业的目标。本剧根据日本漫画家森本梢子同名作品改编。

邻家英雄

朴施厚在剧中饰演男主角，是一个集正义、勇敢、真挚、有爱于一身的邻家英雄，电视剧将于今年9月开拍，并于明年年初通过OCN电视台播出。这也是朴施厚时隔3年之正式回归荧屏，观众十分期待。该剧讲述退役的特工与一名梦想当警察的青年相遇后将他培养为自己接班人的故事，故事中心围绕着家人和我们的邻居们。

平行理论

年轻的最高法院主法官石贤（池珍熙 饰）不仅事业有成，而且有一个漂亮的太太和可爱的女儿。然而自从在他的升迁庆祝派对上接到一个神秘电话之后，一切都发生了改变。先是太太离奇被杀，之后遇到一个女记者，告诉他关于“平行理论”的事情，并且警告他的人生将与30年前被灭门的韩尚俊法官“平行”，这就预示着他和他的女儿很快将遭遇不幸。 　　负责调查石贤妻子被杀案的是石贤的大学同学姜成（李宗赫 饰），在经过调查之后，他们把罪犯目标锁定在一个叫张秀英（河正宇 饰）的人身上，并很快的抓住了他。张秀英对犯罪事实供认不违，而石贤却根据一些细节认定张秀永并非杀死自己妻子的凶手。女记者被杀，关在警局的张秀英逃跑，一系列事情不仅与30年前的灭门惊人相似，而且日期完全相同。被宿命的阴影所笼罩的石贤开始试图揭开“平行理论”背后的秘密，从而救赎自己与女儿的生命……

沉睡的巨人

少年亚当和他的父母一起在崎岖的苏必利尔湖度过暑假。他乏味的常规粉碎了当他和里利和伊北，自作聪明的表亲们通过他们有充裕的时间与放荡和鲁莽的悬崖跳。一个伤害的秘密的启示触发亚当设置不可逆的事件，测试友谊的纽带，永远改变男孩

金牢

一名野心勃勃的年轻女子与富有魅力的老板达成一项不同寻常的协议。当疑虑悄然而生时，想退出可能为时已晚。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

马赛曲

在法王路易十六时期，各种社会矛盾日益激化，新兴的资产阶级同情农民疾苦，受到巴黎雅各宾派的影响，阿尔诺带领马赛港的市民设计夺取了要塞，得到了武器，并驱逐了公爵，他们举行集会通过决议组织500名义勇军进军巴黎去搭救同情改革的议员，马赛市民积极参军，高唱着马赛曲向进发。途中他们受到了拥护共和的人民的欢迎也和顽固的保皇党进行了战斗，到达巴黎后，他们汇入了革命者的队伍，1792年8月10日，巴黎人民在雅各宾派的领导下，终于推翻了路易十六王朝，赢得了政权交替的胜利，揭开了法国大革命的序幕，而这个时期创作的进军歌曲《马赛曲》也成为了鼓舞斗志的赞歌。

2022NBA夏季联赛 国王VS勇士

7月3日 2022NBA夏季联赛 国王VS勇士

异形魔怪3

神出鬼同的地底怪物又回来了！经历上次的教训，这群外表巨大可怖的地底食人怪物变得比以前更顽强，更饥不择食，上集生还者毕特硬着头皮，利用自己对武器的知识，阻止新一代食人怪物再度搞破坏

传颂之物虚伪的假面

电视动画《传颂之物 虚伪的假面》改编自AQUAPLUS推出的同名游戏。主要讲述一名青年在恢复意识后，发现自己站立在了大雪纷飞的荒野上，并且处于失忆的状态。在遭到昆虫般怪物的袭击时，他被名为久远的少女所救。就这样，青年有了“哈克”这个名字，并且与久远同行……

杀科

蓝迪(许志安饰)任职便衣探员，因学历不高，由少年警校出来一直未有晋升机会，由于收入微薄，就连供养年迈的瞎眼母亲亦颇为吃力，更因此被女友家人白眼，不允许二人结婚。不论是家人，朋友，甚至蓝迪本人；都觉得自己是一个失败者。因此蓝迪默默工作，坚守岗位，但世事并不是人不犯我，我不犯人……蓝迪与阿船(雷宇扬饰)乃好友兼同事，并同屋共主，一夜，接获命令拘捕社团大佬辉少，控告其藏毒，拉人时发觉只藏有少量毒品，与事实不符，逐怀疑警队中有内鬼通风报讯，蓝迪等为之气结之际；一少女June(李丽珍饰)竟当众将辉少之跑车损毁。迪见状即救June离去。原来June乃一略带燥狂的女子，药物令其大脑受损，影响其记忆力，只好把所有同其坐驾一样的车辆破坏以作发泄。June的行为吸引了刚失恋的迪，二人成为朋友。老差骨德叔(成奎安饰)怀疑阿船贪污通知蓝迪，迪唯迫问阿船。原来阿船因烂赌欠下大笔贵利数，无路可行唯有向辉少贩卖警方线报代替还债。船自知一错不可再错，想收手之时却为时己晚，辉少咄咄迫人，迪看不过眼，为船出头，和辉少谈判，谁知在辉少手下哪叱(吴廷烨饰)推波助澜之下，两帮人逐动起手来，在混乱之际，迪错手杀死辉少——香港龙头大佬耶苏之子。蓝迪终被判自卫杀人，无罪释放，释放并不是一个完结，却是迪大临头的开始。耶苏下令格杀，三日之内要见到迪从高处堕下，自杀身亡。一时之间进退维谷，蓝迪，阿船唯于德叔安排下往大屿山暂避风头。蓝迪带同June到大屿山避难，June知蓝迪落难连日陪伴，二人感情大增，哪叱欲将迪杀之一了百了却被耶苏喝止，并想出办法迫迪自动现身及自行了断。蓝迪潜伏其间，哪叱一步步迫害迪身边至亲，先安排人把阿船的女友Ada(陈敏芝饰)非礼，并弃之街角电话亭，船往寻仇亦被活生生打死。德叔前去谈判，却被车辆辗过身体至双脚折断。另一方面June的狂燥症亦带给其压力，在四面楚歌下，蓝迪知道自己最终不能逃避耶苏的势力，即与June赶往老人院处接回母亲一起远走高飞，未料耶苏已派人把其母亲肆意玩弄，脱光衣服游街示众之余，其手下已埋伏在旁，出其不意地将June杀害。面对自己所有亲人及朋友不断被杀害，非礼，游街示众，迪终于知道耶苏玩弄什么手段，其目的只有一个——一命填一命，迪，June及其母逃至天台的一刹，迪万念俱灰，救回自己母亲及自己最爱的June，去路只有一条——从高处一跃而下。

神怒之日